Mahoor Institute of Culture and Arts
The publication of Darvish Khan’s works in the form of a multimedia book is supposed to play an important role in documenting and developing the Persian musical sources which had always been orally and exclusively transmitted. The book compiled, notated, and performed by Arshad Tahmasbi plus an almo
Mahoor Institute of Culture and Arts
The Tombak is a percussion instrument originating from Iran. Despite its simple construction, it provides the performer with an array of performance possibilities and complicated techniques, which sound and seem pleasant and appealing. In the 1960s and the 1970s, the instrument was introduced to oth
Mahoor Institute of Culture and Arts
The Tombak is a percussion instrument originating from Iran. Despite its simple construction, it provides the performer with an array of performance possibilities and complicated techniques, which sound and seem pleasant and appealing. In the 1960s and the 1970s, the instrument was introduced to oth
Mahoor Institute of Culture and Arts
he Tombak is a percussion instrument originating from Iran. Despite its simple construction, it provides the performer with an array of performance possibilities and complicated techniques, which sound and seem pleasant and appealing. In the 1960s and the 1970s, the instrument was introduced to othe
Mahoor Institute of Culture and Arts
There are certainly other methods of teaching the Tar which we hope to publish in the near future. This method has been devised and developed by Rouhollah khaleqi in collaboration with Mousa Maroufi and Nasrollah Zarrin-Panjeh for the first-year students of Iran’s National School of Music. Houshang
Mahoor Institute of Culture and Arts
We are so glad that Persian classical music now explores new territories through technologically modern and effective tools. In this respect, we are already one step ahead of the musical regions of the Middle East. It is hoped that Iranian immigrants all over the world who are really interested in P
Mahoor Institute of Culture and Arts
The setâr is one of the oldest Iranian musical instruments and has a clear and sweet tone. At first, it had three strings. However, about two centuries ago Moshtâq Ali Shâh added another string right between its second and last string (now, the fourth), and called it Vâkhân or Hengâm (third string).
Mahoor Institute of Culture and Arts
This book is aimed to open the door to a method of teaching this Iranian elegant musical instrument, the Setar, to all Iranians from all over the world, and to those who are deeply interested in the Eastern musical culture. And that’s the reason why the book is in two languages, English and Persian.
Mahoor Institute of Culture and Arts
We are so glad that Persian classical music now explores new territories through technologically modern and effective tools. In this respect, we are already one step ahead of the musical regions of the Middle East. It is hoped that Iranian immigrants all over the world who are really interested in P
Mahoor Institute of Culture and Arts
I’m so grateful that this multimedia course book of both the most popular Iranian musical instrument and one of the world’s largest families of musical instruments is now available to the enthusiasts. Furthermore, Payvar’s course for Santur is widely believed to be the most efficient teaching method
Mahoor Institute of Culture and Arts
Ney Navâ Publish Year : 1990 For Ney and String Orchestra Composed by Hossein Alizâdeh Jamshid Andalibi, Ney Khâchik Bâbâyân, Violin Darâmad 4:16 Naghme 5:25 Jâmedarân 4:08 Nahoft, Forud 9:02 Dance of Samâ 4:34 NeyNava is a studio album by Iranian Musician Hossein Alizadeh.
Mahoor Institute of Culture and Arts
Dastgâh-e Homâyun Publish Year : 2007 Farâmarz Pâyvar, Santur Mohammad Esmâʻili, Tombak M. CD 214
Mahoor Institute of Culture and Arts
Sarvâ Publish Year : 2016 Âriâ Mohâfez, Santur Pedrâm Khâvarzamini, Tombak M. CD 484
Mahoor Institute of Culture and Arts
Juybâr-e Lahze-Hâ Publish Year : 2017 Kamânche and Tombak Duet Sâmer Habibi, Kamânche Behnâm Ma’sumi, Tombak M. CD 513 Pishdarâmad-e Homâyun 8:15 Darâmad-e Homâyun 4:28 Panj-zarbi-ye Shushtar 7:41 Bidâd 1:19 Zarbi-ye Bidâd (Based on Bakhtiyâri Melody) 5:51 Owj 7:48 Haft-zar
Mahoor Institute of Culture and Arts
The Drop Publish Year : 2010 Faribâ Hedâyati Nikfekr, Setâr Seyyed Behnâm Ma’sumi, Tombak and Kuze M. CD 300 4:28 Châhârmezrâb (Afshâri) 2:08 Darâmad (Afshâri) 2:38 Arâq and Qarâyi (Afshâri) 2:11 Maqâm-e Sabâ (Afshâri) 2:02 Seven Cities of Love (Afshâri) 4:33 Forud (Afshâri
Mahoor Institute of Culture and Arts
Luminescence Publish Year : 2015 Bahâre Fayyâzi, Târ Goharnâz Masâ’eli, Tombak M. CD 438 Moqaddame 1:59 Buoyant 4:09 Darâmad 4:29 Luminescence 5:56 Bayât-e Râje 2:50 Whisper (Râje Duple Time) 2:15 Owj 3:54 Elation 2:20 Nahoft 3:31 Old Tasnif 2:02 Masnavi 5:48 Salvati
Mahoor Institute of Culture and Arts
Naqshbandân Publish Year : 2014 Maryam Tazhdeh, Târ Kamrân Ya’qubi, Tombak M. CD 389 Pishdarâmad "Sepid" (Dastgâh-e Mâhur) 2:26 Darâmad (Dastgâh-e Mâhur) 1:43 Châhârmezrâb "Rud" (Dastgâh-e Mâhur) 2:22 Kereshme, Delkash and Forud (Dastgâh-e Mâhur) 6:07 Arâq (Dastgâh-e Mâhur) 1:06 C
Mahoor Institute of Culture and Arts
Selections Form Tanbur Nazms of Gurân Publish Year : 2017 Pegâh Salimi, Tanbur M. CD 518
Mahoor Institute of Culture and Arts
Râz-e No (The Novel Mystery) Publish Year : 1998 Maqâm-e Dâd-o Bidâd, Âvâz-e Abu'atâ Composed by Hossein Alizâdeh Hamâvâyân Ensemble Mohsen Kerâmati, Afsane Rasâyi, Homa Niknâm and Ali Samadpour, Vocals M. CD 38 Darâmad (Maqâm-e Dâd-o Bidâd) 2:38 Reng-e Osul (Târ, Tombak, Dammâm) (Maq
Mahoor Institute of Culture and Arts
Ajamlar Publish Year : 2013 An Anthology of Pieces by Persian Composers and their Contemporaries at Ottoman Court from the 16th and 17th Centuries Compiled and arranged by Ârash Mohâfez M. CD 359 This album is an anthology of outstanding oeuvres attributed to Persian musicians and com
Mahoor Institute of Culture and Arts
24 Châhârmezrâb by Abolhasan Sabâ Publish Year : 2016 Siâmak Jahângiri, Ney Vahid Fatâ'i, Tombak M. CD 490 Châhârmezrâb-e Shur I 2:46 Châhârmezrâb-e Shur II 3:11 Châhârmezrâb-e Abu'atâ I 1:24 Châhârmezrâb-e Abu'atâ II 2:19 Châhârmezrâb-e Abu'atâ III 1:40 Châhârmezrâb-e Hejâz Abu
Mahoor Institute of Culture and Arts
Sâlnâme Publish Year : 2018 Mohammad-Rezâ Fayyâz, Composer Âftâb and Derang Ensemble Performers: Hamidrezâ Khabbâzi, Golnush Sâlehi and Siâvash Imâni, Târ Râziye Nazari, Bam Târ Yâsaman Shâhhoseyni, Ud Pegâh Zohdi, Santur Âfarin Nazariju, Qânun Soheyl Sâdeqi, Farshâd Sâremi
Mahoor Institute of Culture and Arts
Music of Torbat-e Jâm Publish Year : 2017 Regional Music of Iran 66 Gholâm-Ali Pur'atâyi, Nur-Mohammad Dorpur, Abdollâh Sarvar Ahmadi and Gholâm-Ali Neynavâz Research, Recording and accompanying notes by Mohammad-Rezâ Darvishi M. CD 487
Mahoor Institute of Culture and Arts
Compass Line Publish Year : 2017 Melodic Sketch 1 Solo Târ Ali Kâzemi M. CD 505 Nâzok-ârâ (Râst-Panjgâh) 4:00 Darâmad (Râst-Panjgâh) 2:58 Panjgâh (Râst-Panjgâh) 2:24 Shushtari (Râst-Panjgâh) 3:17 Kuche-Bâghi (Râst-Panjgâh) 1:32 Ruhafzâ (Râst-Panjgâh) 2:19 Tarab-ârâ (Râst-Panjgâ
Mahoor Institute of Culture and Arts
Music of Baluchestân Publish Year : 2000 The Iranian Folk Music 23 Shir-Mohammad Espandâr, Donali Accompanying notes by Mohammad-Rezâ Darvishi M. CD 51 Liku Dalgâni 5:24 Zoljalâl-Gwâti 7:38 Sâz-e Bâdi-Gwâti 7:10 Mast-e Qalandar (Vocal)-Gwâti 4:34 Zahiruk-e Jabal-Gwâti 4:24
Mahoor Institute of Culture and Arts
Hasht Behesht Publish Year : 2005 The Iranian Folk Music 5 A Selection of Iranian Regional Music The southern Regions, Fârs, Lorestân, Kordestân, Khorâsân, ... Compilation and accompanying notes by Hoseein Hamidi M. CD 25 Dâikâto (The Music of Iran's South Coasts) 3:53 Allâh (Th
Mahoor Institute of Culture and Arts
Soluk Publish Year : 2017 Inspired by a Number of Old Iranian Music Composition Techniques Nafiseh Gholâmpour, Composer Amir Asnâ Ashari, Vocals M. CD 504 Talâye, Santur and Ud Duet 6:25 Showq 2:47 Kamânche Solo 3:22 Vesâl 7:09 Soluk, Part I 5:01 Soluk, Part II 6:23 Soluk,
